"How do Black folx cultivate everyday practices of liberation?"
#BlackFolxAreRich is birthed from the research question: "How do Black folx cultivate everyday practices of liberation?" To address this, I center the voices of 18 folx (interviewed by me, between 2021- 2022.) Each person was born within the critical influence of Hip Hop across the Deep South, Southern California, NY and the Midwest and are identified as Black Storytellers. We pivot away from DuBois’ musings regarding the white gaze in 1903, “what does it feel like to be a problem,” and pivot toward #BlackFolxAreRich.
Sankofa Waters, M. B. (2022). Black storytellers and everyday liberation: At the nexus of home, school, and Hip Hop. Qualitative Inquiry. https://doi.org/10.1177/10778004221139.
Black Storytelling is a reflection and practice of various identities; I name three types of stories: firsthand, hand-me-down, and kaleidoscopes. We – Black folx – do it through conversing, posting, cooking, worshiping, stuntin, breathing.
As a reflection of art and scholarship, I identify Black Storytellers such as James Baldwin, Audre Lorde, Romare Bearden, Zora Neal Hurston, Nikki Giovanni, Robin Boylorn, Septima Clark, Bisa Butler, D. Soyini Madison, bell hooks, and Ms. Lauryn Hill.
As a practice / method, I posit four movements for Black Storytelling: (1) Record (2) Reconnect (3) Reward (4) Repeat. These four movements are integral to every part of Black Storytelling. This is not a necessarily a linear or fixed process, but one that repeats. Because "we always have to come back to self to experience freedom. And it’s gon take more than one cycle for us to be liberated.” (Shanyce Campbell, 2020.)